Romeyn de Hooghe
n.d. · Etching and letterpress · Drawings and Prints
Panurge secondéRomeyn de Hooghe
Dévastation d'un Monastère (Devastation of a Monastery), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 6Jacques Callot|Israël Henriet
The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)Romeyn de Hooghe
Dévastation d'un Monastère (Devastation of a Monastery), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 6Jacques Callot|Israël Henriet
Frontispiece to Pierre d'Hozier's "Les noms surnoms qualitez armes et blasons des chevaliers de l'Ordre du Sainct Esprit" with Louis XIII dubbing a nobleman kneeling before him, in the presence of several other noblemenAbraham Bosse|Pierre d'Hozier|Pierre Mariette
Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)Jacques Callot
Dissidium In Ecclesia, from "Allegories of the Christian Faith, from Christian and Profane Allegories"Hendrick Goltzius
Plate 2: The city of Rome taken by Constable of Bourbon, from the Triumphs of Charles VCornelis Boel|Antonio Tempesta
Plate 17: Illustration to Canto XVII, from Torquato Tasso's 'Gerusalemme liberata III'Antonio Tempesta
The Hotpot Carried to the Newlyweds; or The RacketAbraham Bosse|Jean I Leblond
The Massacre of the Innocents, with architectural facades at left and right, an oval compositionJacques Callot
Le Massacre des Innocents 1re Plance (The Massacre of the Innocents, 1st Plate)Israël Henriet|Jacques Callot|Don Giovanni de' Medici