Stefano della Bella
1646 · Etching, proof with additions in brown pen and ink and black chalk · Drawings and Prints
Plate 9: Marine Bull, from "Various figures and doodles" (Diverses figures et griffonnemens)Stefano della Bella
Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid CreatureAnonymous, Italian, 16th to 17th century![Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso)](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/a4/a442517273858a335b394ebcf342a489360f20f6048e277b6a8bd5727346177f/graph.webp)
Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso)Anonymous, Italian, Piedmontese, 18th century
Rococo CartoucheAnonymous, French, 18th century
Disegni Varij di Polifilo Zancarli (Friezes)Polifilo Giancarli|Odoardo Fialetti
Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto.Anonymous, Italian, 16th to early 17th century
Plate 4: five grotesque heads, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)Stefano della Bella|François Collignon
Soldier on Horseback in Catoptric Anamorphosis (after Hendrick Goltzius)Jean François Niceron|Hendrick Goltzius
Horizontal Panel Design with Three Male Figures Interspersed between Acanthus RinceauxPolifilo Giancarli|Anonymous, Italian, Venetian, 17th century
Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged PuttoAndrés de Melgar
Design for an Overmantel or Door with a VariantAnonymous, French, 19th century
Fantastical creatures, birds, and strapwork cartouche (recto); grotesque mask and kneeling priest (verso)Andrés de Melgar