Aldo and Piero Crommelynck|Pablo Picasso
1968 · Sugar-lift aquatint · Drawings and Prints
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)Goya (Francisco de Goya y Lucientes)
Plate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)Goya (Francisco de Goya y Lucientes)
Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)Goya (Francisco de Goya y Lucientes)
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): They can still be of use (Aun podrán servir)Goya (Francisco de Goya y Lucientes)
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)Goya (Francisco de Goya y Lucientes)
Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otro linage)Goya (Francisco de Goya y Lucientes)
Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)Goya (Francisco de Goya y Lucientes)
'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)
Plate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir)Goya (Francisco de Goya y Lucientes)
Célestine Presenting Her Two Pensioners to Two Clients, from 347 SuiteAldo and Piero Crommelynck|Pablo Picasso|Galerie Louise Leiris
Plate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio)Goya (Francisco de Goya y Lucientes)
"A Thousand and One Nights" and Célestine: The Young Slave, from 347 SuiteAldo and Piero Crommelynck|Pablo Picasso|Galerie Louise Leiris