Anonymous, Italian, Piedmontese, 18th century
1700–1780 · Pen and brown ink, brush and gray wash over leadpoint, with ruled and compass construction · Drawings and Prints
Design for an Altar: Two Halved VariantsAnonymous, Italian, Piedmontese, 18th century
Design for One Half of an OverdoorAnonymous, Italian, Piedmontese, 18th century
Half a Design for OrnamentAnonymous, Italian, Bolognese 18th century artist
Halved Variant Designs for un Altar with the Virgin of the Immaculate Conception in the Central CartoucheAnonymous, Italian, Piedmontese, 18th century
Two Alternate Designs for a DoorwayAnonymous, Italian, Piedmontese, 18th century
Design for Festival Architecture for an Entry into Paris for the King of Sweden, Frederick I of HesseGuillaume Thomas Raphaël Taraval
Two Alternate Designs for a Wall with a Frame for a PaintingAnonymous, Italian, Piedmontese, 18th century
Design for a FireplaceAnonymous, French, 17th century|Salomon de Brosse|Jean Barbet|François Derand
Half design for the decoration of an Altar with PuttiAnonymous, Italian, Piedmontese, 18th century
Design for a Tomb or Wall MonumentAnonymous, Italian, 17th century
Design for a Tomb, with Ducal Crown at the CenterAnonymous, Italian, Bolognese 18th century artist
Design for a Cartouche with Two Putti Heads inside a Shell, Atop of an ArchAnonymous, Italian, Piedmontese, 18th century