Lake of Thun, Swiss (Liber Studiorum, part III, plate 15)

Joseph Mallord William Turner|Charles Turner

June 10, 1808 · Etching, drypoint and mezzotint; first state of three · Drawings and Prints

Lake of Thun, Swiss (Liber Studiorum, part III, plate 15) — Joseph Mallord William Turner|Charles Turner

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a Swiss mountain lake agitated by an approaching storm, with a distant lightning strike causing figures in the foreground to hurry for cover. Mezzotint's capacity to convey the bright flash of light and its reflections on the water is used to great effect and the "M" in the upper margin indicates Turner's category of Marine landscape.

Artist
Joseph Mallord William Turner|Charles Turner
Date
June 10, 1808
Medium
Etching, drypoint and mezzotint; first state of three
Department
Drawings and Prints
Credit line
Harris Brisbane Dick Fund, 1928

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