Charles Monblond
19th century · Graphite, pen and dark brown ink, brush and brown wash. Pricked for transfer. · Drawings and Prints
Figure studyFélicien Rops
Design for Ornamental Glass, for 2 Prate Street, Camden Town, LondonAnonymous, British, 19th century
Caricature of a GrandeeAnonymous, Italian, Roman-Bolognese, 17th century
The adoration of the Virgin and Christ ChildPietro Testa|Anonymous, 18th century
Design for One Half of an Altar, with an Angel (of the Annunciation) at the leftAnonymous, Italian, Piedmontese, 18th century
Design for the Corner of a CoveAnonymous, Italian, Piedmontese, 18th century
Design from the Workshop of Froment-MeuriceJacques-Charles-François-Marie Froment-Meurice
Design for a sepulchral monument; verso: Design for a sepulchral monumentPieter Verbruggen the Younger|Anonymous, Flemish, 17th century|Michiel van der Voort
Design for a Frame with Birds, Animals, and FoilageAnonymous, Italian, 19th century
Ornamental Design(?)Leonardo Marini
Study of a Tree Standing in Water in the Düsseldorf Hofgarten; verso: Studies of PlantsJohann Wilhelm Preyer
The Last MajaFélicien Rops