Jean Michel Moreau the Younger
ca. 1778 · Pen and black ink, brush and gray wash, heightened with white gouache · Drawings and Prints
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
BeforeWilliam Hogarth
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
Fashion MerchantRené Gaillard|François Boucher
Le Calendrier des Vieillards, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"Jean de La Fontaine|Jean Honoré Fragonard|Jean Dambrun|Pierre Didot l'ainé
A Harlot's Progress, Plate 2William Hogarth
Le Billet douxNicolas de Launay|Nicolas Lafrensen (called Nicolas Laureince)
La Nuit (Night)Pierre Antoine Baudouin
Hispani et Hispanae in Vestitu Cultus, from Fashions of Different NationsPieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I
Le Colin-MaillardJean Honoré Fragonard|Jacques Firmin Beauvarlet
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Tilliard|Pierre Didot l'ainé
BeforeWilliam Hogarth