James Tissot
1862–63 · Point of brush and brown ink, brush and brown wash, over graphite (recto); graphite (verso) · Drawings and Prints
Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors.Fabrizio Galliari
Interior of a ChapelAnonymous, Italian, 19th century
Study for a Massacre of the InnocentsDomenico Cresti Passignano
Design for a Stage Set at the Opéra, ParisEugène Cicéri
Manuscript page with a Project for a Fountain (recto) and Project and Plan for a Monumental Staircase (verso)Luigi Vanvitelli
Coronation Regalia Carried in Procession at Saint-DenisGabriel de Saint-Aubin
Composition Study with Figures Distributing BreadHenri Lehmann
Miracle of Saint GregoryAnonymous, Netherlandish, 16th century|Jan de Beer
Aeneas's Farewell to DidoJean Le Pautre
Studies for a Ceiling (recto and verso)Pietro da Cortona (Pietro Berrettini)|Michel Corneille the Younger
Congregation in a TempleFortunato Duranti
Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (Recto). Studies for Figural Ornament (Verso).Giovanni Battista Foggini