A Tomb and Studies of Windows in the Church of Valmont Abbey (recto); Four Studies of Horses (verso)

Eugène Delacroix

1829–31 · Brush, black and brown ink, and wash over graphite (recto); graphite (verso) on wove paper · Drawings and Prints

A Tomb and Studies of Windows in the Church of Valmont Abbey (recto); Four Studies of Horses (verso) — Eugène Delacroix

This drawing of the church at Valmont in Normandy shows Delacroix’s masterful handling of the wash medium to create a shadowy ambience. During his visits to his cousin’s estate there, Delacroix was especially transfixed by the partially ruined fifteenth-century church on the property, which appealed to his Romantic imagination. After his first trip, he recalled, "Above all, the old church, half-ruined, where there were tombs, great Gothic windows with dark stained glass, and vaults containing the foundations of the abbey, all of these things inspired a host of romantic ideas." The dreamlike atmosphere conjured by the artist in this wash drawing corresponds with his written reflections on the church as a space of reverie.

Artist
Eugène Delacroix
Date
1829–31
Medium
Brush, black and brown ink, and wash over graphite (recto); graphite (verso) on wove paper
Department
Drawings and Prints
Credit line
Gift from the Karen B. Cohen Collection of Eugène Delacroix, in memory of Charles Ryskamp, 2013

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