Gilles-Marie Oppenord
ca. 1690–1710 · Pen and black and dark brown ink, brush and dark brown and gray wash, over traces of graphite underdrawing · Drawings and Prints
Design for Cartouches Decorated with Sea-Shells, Garlands, Foliage, Volutes and UrnsAgostino (Stanzani) Mitelli
Halved Design for an Altar with Angel and PuttiAnonymous, Italian, Piedmontese, 18th century
Design for a Chapel with Flight into Egypt as AltarpieceAnonymous, Spanish, 17th century
Project for a ChapelAnonymous, Italian, Piedmontese, 18th century
Two One Half Variant Designs for an Altar and a ChapelAnonymous, Italian, Piedmontese, 18th century
Designs for Parts of Frames and an AmphoraAnonymous, Italian, Piedmontese, 18th century
Design for an Altar With a Vaulted Chapel BehindAnonymous, Italian, Piedmontese, 18th century
Two Alternate Designs for a ChapelAnonymous, Italian, Piedmontese, 18th century
Study for an Altar with a Figure on a Raised Socle at Left; verso: Study for an Altar with a Figure of an Angel or SaintJoseph Anton Feuchtmayer
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)Anonymous, Italian, Bolognese, 18th century
Designs for Archways and Baldachins with Caryatids and Coats of Arms (Recto). Design for a Monument with Statues of Prudence and Fortitude (Verso).Giovanni Battista Foggini
Design for Corner of Painting Ceiling with architectural perspectiveAnonymous, Italian, Piedmontese, 18th century