Severed head, said to be that of Maximilien-François-Marie-Isidore de Robespierre (1758-1794), guillotined July 28, 1794 (10 Thermidor, An II)

Maximilien-François-Marie-Isidore de Robespierre|baron Dominique Vivant Denon

1794 · Graphite · Drawings and Prints

Severed head, said to be that of Maximilien-François-Marie-Isidore de Robespierre (1758-1794), guillotined July 28, 1794 (10 Thermidor, An II) — Maximilien-François-Marie-Isidore de Robespierre|baron Dominique Vivant Denon

Drawing was only one of Denon’s many pursuits; he was also a collector, a printmaker, a diplomat, and an arts administrator. Among other achievements, he accompanied and documented Napoleon’s Egyptian campaign and was the first director of the museum known today as the Louvre. Denon’s sketches reflect his sensitivity to politics as well as his urge to document. The three mounted together here (see also 62.119.8a and 62.119.8c) were apparently made during, or soon after, meetings of the National Convention, a new governing body that formally abolished the monarchy, among other acts. All of the men depicted were directly or indirectly associated with the period of violent unrest during the Revolution known as the Reign of Terror and ultimately fell victim to the guillotine themselves.

Artist
Maximilien-François-Marie-Isidore de Robespierre|baron Dominique Vivant Denon
Date
1794
Medium
Graphite
Department
Drawings and Prints
Credit line
Rogers Fund, 1962

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