Hyères, France
Henri Cartier-Bresson
1932 · Gelatin silver print · Photographs

In 1931 Cartier-Bresson began to use a camera to make photographs that reveal the influence of both Cubism and Surrealism-bold, flat planes, collage-like compositions, and spatial ambiguity-as well as an affinity for society's outcasts and the back alleys where they lived and worked. Within a year, he had mastered the miniature 35mm Leica camera and had begun traveling in Italy, Spain, Morocco, and Mexico, developing what would become one of the hallmarks of twentieth-century photographic style. In his 1952 landmark monograph The Decisive Moment, Cartier-Bresson defined his philosophy: "To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which gave that event its proper expression."
- Artist
- Henri Cartier-Bresson
- Date
- 1932
- Medium
- Gelatin silver print
- Department
- Photographs
- Credit line
- Gilman Collection, Purchase, Ann Tenenbaum and Thomas H. Lee Gift, 2005


![[Circular Stair]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/55/55ea351264b9b6079b4b630fd202b403d3e2869baab12d6c79443198e8d11d4e/graph.webp)
![[Curb, Seen from Above, New York City]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/46/462fc8515c4534e9e98cdf5131fb0bd7638c20d1832312265757bc4d5c31fa6a/graph.webp)

![[Two 35mm Film Frames: Elevated Train Platform Railings and Steps with Advertisements, New York City]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/58/58cbdb167fb2069bcf9222445055ea5eb6ea00619d7d3d6d4bceef97b2c356f1/graph.webp)





![[Three 35mm Film Frames: View from Window of Corner Building and Cobblestone Street, Brooklyn?, New York]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/82/82d8ae689ba1ab8154ecbd96a8017bbef130750fc389d98e37103d7752b7fedc/graph.webp)