Felix Octavius Carr Darley
Date unknown · Steel engraving and black ink on off-white wove card (Bristol-type paper) · The American Wing
"Villain, thou diest": plate 10 from Othello (Act 5, Scene 1)Théodore Chassériau|William Shakespeare
St. Carlo Borromeo surrounded by angelsPietro Testa|François Collignon
Saints Peter and PaulAnonymous, Austrian, 18th century
Songs of Shakespeare, Illustrated by the Etching ClubWilliam Shakespeare|John Callcott Horsley|Charles Stonhouse|Thomas Webster|Thomas Creswick|Henry James Townsend|Richard Redgrave|(John) Frederick Tayler|Charles West Cope|Frank Stone|Richard Ansdell|Samuel Palmer|James Clarke Hook|John Bell|Gad & Keningale|John Prescott Knight
The Adoration of the MagiClaude Vignon
Olivia's House - Olivia, Maria and Malvolio (Shakespeare, Twelfth Night, Act 3, Scene 4)Thomas Ryder I|Johann Heinrich Ramberg|John & Josiah Boydell|William Shakespeare|Shearjashub Spooner
Le Cocu battu et content, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"Jean de La Fontaine|Jean Honoré Fragonard|Jean-Louis Delignon|Pierre Didot l'ainé
Promenade vénitienne (Venetian Promenade)Félix Bracquemond|Richard Parkes Bonington
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Patas|Pierre Didot l'ainé
A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
The Vine, or Plumpy BacchusSamuel Palmer|William Shakespeare
Reverse Copy of Le Petit Portement de Croix (The Small Carrying of the Cross)Jacques Callot