Christabel

Julia Margaret Cameron

1866 · Albumen silver print from glass negative · Photographs

"Yea, she doth smile, and she doth weep, Like a youthful hermitess, Beauteous in a wilderness." Samuel Taylor Coleridge Coleridge's unfinished poem "Christabel" (1816) tells the story of a young woman debased by sorcery. A dark poem, full of rolling fog and lesbian innuendo, "Christabel" was the kind of tale that appealed to the Victorian palate--a soup of sexual transgression and moral repair. Cameron rarely made portraits of women; rather, when she photographed them, they appeared as representations of some biblical, mythological, or literary figure. Cameron's niece, May Prinsep, who would later marry Hallam Tennyson, son of the poet laureate, appears here as the ethereal Christabel before her corruption. Cameron's long exposure time and distinct soft-focus technique lend the work its idealizing gravitas even while, paradoxically, intensifying the realistic presence of the individual before the lens. For all her "high art" aspirations, Cameron was always quick to note that her images were "from life."

Artist

Julia Margaret Cameron

Date

1866

Medium

Albumen silver print from glass negative

Department

Photographs

Credit line

Harris Brisbane Dick Fund, 1941