Runner in the City
El Lissitzky
ca. 1926 · Gelatin silver print · Photographs

In 1926 Lissitzky joined colleagues from the Association of New Architects (ASNOVA) in designing a new sports club, and he created this frenzied representation of an urban athlete as a model for a large frieze. He combined images of at least three separate elements-the runner, the track and hurdle, and a double exposure of Times Square-into a single print and then sliced that print into strips, creating an object that is both constructed and deconstructed. The visual result is a suspenseful moment-shattered, separated, and stretched-that weaves the mechanics of man into a dynamic tapestry of industrial optimism. The heroic pose of the runner, transposed to the center of New York City, becomes an emblem of triumphant human achievement: man and metal engage in an ambitious leap across several voids in the service of industrial progress.
- Artist
- El Lissitzky
- Date
- ca. 1926
- Medium
- Gelatin silver print
- Department
- Photographs
- Credit line
- Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987






![[X-Ray of a Box Compasses and Drawing Tools]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/d5/d5711a6913e673e97e799c6efe1e907d876b6cffefd34d0865f666bcd62f1c80/graph.webp)
![[The Fortunate, Fashionable Rescue]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/ee/ee992e53f6915f6bda717bfe76655baee8b62c1a2c77e37386795d1bd64daab2/graph.webp)



![[Installation View of "Walker Evans: American Photographs" Exhibition at The Museum of Modern Art, New York City]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/79/79bb2aa1f87ec68fe83decf0633ea16683a3ea3fed88c4ba7879a1b0ba7d3c6a/graph.webp)